Las óleos de todo COLLANTES, Francisco
ID Image  Painting (From A to Z)       Details 
68273  
COLLANTES, Francisco, St Onuphrius
  		 St Onuphrius   Technique Oil on canvas Dimensions 168 x 108 cm
6133  
COLLANTES, Francisco, St Onuphrius sdgs
  		 St Onuphrius sdgs   Oil on canvas, 168 x 108 cm Museo del Prado, Madrid
28573  
COLLANTES, Francisco, St.Onuphrius
  		 St.Onuphrius   mk61 Oil on canvas 168x108cm
6132  
COLLANTES, Francisco, The Burning Bush
  		 The Burning Bush   c. 1634 Oil on canvas, 116 x 163 cm Mus??e du Louvre, Paris
20568  
COLLANTES, Francisco, The Burning Bush God Orders Moses to Lead the Israelites Out of Egypt (mk05)
  		 The Burning Bush God Orders Moses to Lead the Israelites Out of Egypt (mk05)   Canvas,45 1/2 x 64 1/4''(116 x 163 cm)Mentioned by Felibien as in the Apartments of the old Louvre in 1679 entered the collection of Louis XIV before 1683
6134  
COLLANTES, Francisco, The Vision of St Ezechiel dsf
  		 The Vision of St Ezechiel dsf   1630 Oil on canvas, 177 x 205 cm Museo del Prado, Madrid
70662  
COLLANTES, Francisco, Vision of Ezekiel
  		 Vision of Ezekiel   Medium Oil on canvas Dimensions 177 x 205 cm
COLLANTES, Francisco
Spanish Baroque Era Painter, 1599-1656 Spanish painter. He was probably a pupil of Vicente Carducho, but there is nothing to support this idea. His evident familiarity with contemporary Italian art indicates that he visited Rome and Naples, and this might explain the absence of documentation on him in Spain. Collantes enjoyed considerable prestige, and his paintings were acquired in 1634 for the decoration of the Buen Retiro Palace in Madrid; some of them may have been specially painted for this setting. His name appears frequently in the inventories of collectors in Madrid throughout the 17th century. It is impossible to date Collantes's undated paintings with any accuracy. However, his work shows two very clear and different lines of development. His canvases of large, intensely naturalistic figures, with tenebrist lighting effects , are close in style to those of Jusepe Ribera. In them the intense, energetic figures are sometimes set against landscape backgrounds, for example in St Humphrey (1645-50; Madrid, Prado) and St John the Baptist , but, still following Ribera, the naturalistic elements are emphasized. He also specialized in landscapes and in biblical or mythological subjects, compositions with minute figures set against wide landscapes or architecture with strong light effects. These are the works for which he is best known and which are the most important, since he was one of the few landscape painters in Spain in the 17th century.



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